MARC HANDELMAN
Born 1975, Santa Clara, CA
Lives and works in Brooklyn, NY
Education
2003
1998

1997/8
1997
MFA Visual Arts, Columbia University, New York
BFA Painting, Rhode Island School of Design
Art History Concentration, Rhode Island School of Design
European Honors Program, Rome, Italy
Yale Norfolk Summer Program
Solo Exhibitions
2006
2005

2004

Solo Exhibition, Lombard-Freid Projects
Scenes from the New Miasma, Marc Selwyn Fine Art, Los Angeles, CA
Warm White Blizzard, Lombard-Freid Fine Arts, New York
Security, Lenore Gray Gallery, Providence, RI
Group Exhibitions
2005




2004




2003





2002


2001

2000




1999
The General's Jamboree, Guild and Greyschull, New York, NY
ATOMICA, Lombard-Freid Fine Arts and Esso Gallery, New York, NY
This Hard, Gem-Like Flame, Angstrom Gallery, Dallas, TX
Exploding Plastic Inevitable: 40 Fun Galleries, Bergdorf Goodman, New York, NY
Ciao Manhattan!, Perugi Artecontemporanea, Padua, Italy,
Emo Eco, Kavi Gupta Gallery, Chicago, IL
Back to Paint, C&M Arts, New York
The Sublime Is (Still) Now, Elizabeth Dee Gallery, New York
Surface Tension, Lombard-Freid Fine Arts, New York
Pantone, Massimo Audiello, New York
Artists in Harlem, Triple Candie, New York
The 2003 Wight Biennial, Wight Gallery, UCLA, Los Angeles
Lordship and Bondage, Columbia University, New York
The Burnt Orange Heresy, Space 101, Brooklyn, NY MFA Thesis Exhibition, The Studebaker Building, New York
Procession (An exhibition in three locations), Columbia University, New York
Painting as Paradox, Artists Space, New York Escape, Egizio’s Project, New York
Marc Handelman: Project Room, Rare, New York
Texas National 2001, Stephan Austin State University, Narcoganges, TX
Group Show, Gallery Agniel, Providence, RI
The 2000 Group, Lenore Gray Gallery, Providence, RI
Marc Handelman, Anthony Bevilacqua, Four Corners Art Center, Tiverton, RI
Smorgasbord, Transient Space, Boston
Marc Handelman, Lynn Curtis, Helen Cantrell, Full Circle Gallery, Providence, RI
Monotype and Beyond, Attleboro Museum, Attleboro, MA
Bibliography
2005







2004














2003





2002

2000
Rutter, Ben. "It's pronounced nu-cle-ar," Atomica review. New York Arts, Sept/Oct. 2005, Vol 10, No. 9/10
Cotter, Holland. “Fanciful Figurative to Wryly Inscrutable.” Mention, The New York Times, July 8, 2005.
Kuspit, Donald. “The Power and Irony of The Blur” Report From New York, Art New England, Dec-Jan 2005, P. 13.
Raskin, Lisi, & Handelman, Marc. “I'll Let You Be In My Dream If I Can Be In Yours” Interview, North Drive Press, Volume #2, 2005
Korotkin, Joyce. “Marc Handelman,” Review, Tema Celeste, Nov-Dec 2004, Issue 106, P. 84.
Mullarkey, Maureen. “Gallery Going.” Review, The New York Sun, Aug 5. 2004: 18.
Jana, Reena, "Back to Paint," Time Out New York, September 2 - 9,
Kerr, Marrily, “Art Fragments From the Big Apple, Marc Handelman,” Review, Flash Art, November December 2004, P. 68.
Moyer, Carie, “Landscapes Focused and Idealized,” Review, Gay City News, September 30 - October 6, 2004, Volume 3, issue 340.
Rosenberg, Karen, Review. Artforum, December 2004
----The New Yorker, “Marc Handelman” Review, Oct 11, 2004 P. 21
----The New Yorker, "Back To Paint" Review, August 30,2000.
Subotnick, Ali, Gioni, Massimiliano, Cattelan, Maurizio, “Everybody Was There, The Wrong Guide to New York In 2004”, Mention, Artforum, December 2004, P. 183.
Burton, Tina, “In the Studio: With Marc Handelman,” The Regulator, winter 2003
Kerr, Merrily. “Spotlight: Painting as Paradox,” Flash Art, Jan-Feb 2003.
Everberg, Kirsten. “After the Utopian Reflex,” The 2003 Wight Biennial Catalogue, October 2003.
Inciuraite, Kristina and Lisi Raskin. “Time and Space Travel,” 24/7, September 12, 2003.
Saltz, Jerry. “Painting A La Mode: Looking at a Medium, Finding a Message,” The Village Voice, December 10, 2002.
Gray, Channing. “A Remarkable Handelman Solo Show in Providence,” The Providence Journal, October 19, 2000.
Gray, Channing “Gray Gallery Has an Edgy, Abstract Look for Summer,” The Providence Journal, July 27, 2000.
Gray, Channing “For Bold Solid Painting, Find Your Way to Full Circle,” The Providence Journal, February 24, 2000.