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MARC
HANDELMAN Born 1975, Santa Clara, CA Lives and works in Brooklyn, NY |
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Education | |
2003 1998 1997/8 1997 |
MFA Visual
Arts, Columbia University, New York BFA Painting, Rhode Island School of Design Art History Concentration, Rhode Island School of Design European Honors Program, Rome, Italy Yale Norfolk Summer Program |
Solo Exhibitions | |
2006 2005 2004 |
Solo Exhibition,
Lombard-Freid Projects Scenes from the New Miasma, Marc Selwyn Fine Art, Los Angeles, CA Warm White Blizzard, Lombard-Freid Fine Arts, New York Security, Lenore Gray Gallery, Providence, RI |
Group Exhibitions | |
2005 2004 2003 2002 2001 2000 1999 |
The General's Jamboree, Guild and Greyschull, New York, NY ATOMICA, Lombard-Freid Fine Arts and Esso Gallery, New York, NY This Hard, Gem-Like Flame, Angstrom Gallery, Dallas, TX Exploding Plastic Inevitable: 40 Fun Galleries, Bergdorf Goodman, New York, NY Ciao Manhattan!, Perugi Artecontemporanea, Padua, Italy, Emo Eco, Kavi Gupta Gallery, Chicago, IL Back to Paint, C&M Arts, New York The Sublime Is (Still) Now, Elizabeth Dee Gallery, New York Surface Tension, Lombard-Freid Fine Arts, New York Pantone, Massimo Audiello, New York Artists in Harlem, Triple Candie, New York The 2003 Wight Biennial, Wight Gallery, UCLA, Los Angeles Lordship and Bondage, Columbia University, New York The Burnt Orange Heresy, Space 101, Brooklyn, NY MFA Thesis Exhibition, The Studebaker Building, New York Procession (An exhibition in three locations), Columbia University, New York Painting as Paradox, Artists Space, New York Escape, Egizio’s Project, New York Marc Handelman: Project Room, Rare, New York Texas National 2001, Stephan Austin State University, Narcoganges, TX Group Show, Gallery Agniel, Providence, RI The 2000 Group, Lenore Gray Gallery, Providence, RI Marc Handelman, Anthony Bevilacqua, Four Corners Art Center, Tiverton, RI Smorgasbord, Transient Space, Boston Marc Handelman, Lynn Curtis, Helen Cantrell, Full Circle Gallery, Providence, RI Monotype and Beyond, Attleboro Museum, Attleboro, MA |
Bibliography | |
2005 2004 2003 2002 2000 |
Rutter, Ben. "It's pronounced nu-cle-ar," Atomica review. New
York Arts,
Sept/Oct. 2005, Vol 10, No. 9/10 Cotter, Holland. “Fanciful Figurative to Wryly Inscrutable.” Mention, The New York Times, July 8, 2005. Kuspit, Donald. “The Power and Irony of The Blur” Report From New York, Art New England, Dec-Jan 2005, P. 13. Raskin, Lisi, & Handelman, Marc. “I'll Let You Be In My Dream If I Can Be In Yours” Interview, North Drive Press, Volume #2, 2005 Korotkin, Joyce. “Marc Handelman,” Review, Tema Celeste, Nov-Dec 2004, Issue 106, P. 84. Mullarkey, Maureen. “Gallery Going.” Review, The New York Sun, Aug 5. 2004: 18. Jana, Reena, "Back to Paint," Time Out New York, September 2 - 9, Kerr, Marrily, “Art Fragments From the Big Apple, Marc Handelman,” Review, Flash Art, November December 2004, P. 68. Moyer, Carie, “Landscapes Focused and Idealized,” Review, Gay City News, September 30 - October 6, 2004, Volume 3, issue 340. Rosenberg, Karen, Review. Artforum, December 2004 ----The New Yorker, “Marc Handelman” Review, Oct 11, 2004 P. 21 ----The New Yorker, "Back To Paint" Review, August 30,2000. Subotnick, Ali, Gioni, Massimiliano, Cattelan, Maurizio, “Everybody Was There, The Wrong Guide to New York In 2004”, Mention, Artforum, December 2004, P. 183. Burton, Tina, “In the Studio: With Marc Handelman,” The Regulator, winter 2003 Kerr, Merrily. “Spotlight: Painting as Paradox,” Flash Art, Jan-Feb 2003. Everberg, Kirsten. “After the Utopian Reflex,” The 2003 Wight Biennial Catalogue, October 2003. Inciuraite, Kristina and Lisi Raskin. “Time and Space Travel,” 24/7, September 12, 2003. Saltz, Jerry. “Painting A La Mode: Looking at a Medium, Finding a Message,” The Village Voice, December 10, 2002. Gray, Channing. “A Remarkable Handelman Solo Show in Providence,” The Providence Journal, October 19, 2000. Gray, Channing “Gray Gallery Has an Edgy, Abstract Look for Summer,” The Providence Journal, July 27, 2000. Gray, Channing “For Bold Solid Painting, Find Your Way to Full Circle,” The Providence Journal, February 24, 2000. |