Born, 1963, Minot Air Force Base, ND
Lives and works in Los Angeles
1981-84
1987 Bachelor of Science, University of New Mexico, Albuquerque, New Mexico
Biomedical Engineering Studies, Louisiana Tech University, Ruston, Louisiana
2005
2004
2002
2001
2000
1998
1997
1996
1994
like
transient day,
Lombard-Freid Projects, New York, NY
Guardami, Percezione del Video, Palazzo Delle Papesse Centro Arte Contemporanea, Siena, Italy
Anna Helwing Gallery, Los Angeles, California
manifold reflections, Mary Goldman Gallery, Los Angeles, California
manifold reflections, Saint Louis Art Museum, Saint Louis, Missouri
Panamint Series, Lemon Sky, Los Angeles, California
heaps, layers, and curls at Matrix, UC Berkeley Art Museum, University of California, Berkeley. (catalogue)
Selections from Video Art for the Bar, New Langton Arts, San Francisco
doubled sunset, CRG Gallery, New York, NY
Panamint Tilt, ArtPace, San Antonio, Texas
Recent Projects, Govett-Brewster Art Gallery, New Plymouth, New Zealand
a small infinite (northwest quadrant), Goldman-Tevis, Los Angeles, California Panamint Tilt, Charles Luckman Fine Art Gallery, Cal State University, Los Angeles (catalogue)
s u p e r f l u e n t c i r c u m f i e l d, Kemper Museum of Contemporary Art, Kansas City, Missouri (catalogue)
world picture, Museum of Contemporary Art, Los Angeles (catalogue)
c i r c u m f l u e n t s u p e r f i e l d, CRG Gallery, New York, New York
its seethe, the quietest of whispers, Institute of Visual Arts, University of Wisconsin, Milwaukee, Wisconsin
its seethe, the quietest of whispers, Bliss, Pasadena, California
Red Line, Künstlerhaus Bethanien, Berlin, Germany
changing slowly, going uphill, MFA Gallery, Art Center College of Design, Pasadena, California
Guardami, Percezione del Video, Palazzo Delle Papesse Centro Arte Contemporanea, Siena, Italy
Anna Helwing Gallery, Los Angeles, California
manifold reflections, Mary Goldman Gallery, Los Angeles, California
manifold reflections, Saint Louis Art Museum, Saint Louis, Missouri
Panamint Series, Lemon Sky, Los Angeles, California
heaps, layers, and curls at Matrix, UC Berkeley Art Museum, University of California, Berkeley. (catalogue)
Selections from Video Art for the Bar, New Langton Arts, San Francisco
doubled sunset, CRG Gallery, New York, NY
Panamint Tilt, ArtPace, San Antonio, Texas
Recent Projects, Govett-Brewster Art Gallery, New Plymouth, New Zealand
a small infinite (northwest quadrant), Goldman-Tevis, Los Angeles, California Panamint Tilt, Charles Luckman Fine Art Gallery, Cal State University, Los Angeles (catalogue)
s u p e r f l u e n t c i r c u m f i e l d, Kemper Museum of Contemporary Art, Kansas City, Missouri (catalogue)
world picture, Museum of Contemporary Art, Los Angeles (catalogue)
c i r c u m f l u e n t s u p e r f i e l d, CRG Gallery, New York, New York
its seethe, the quietest of whispers, Institute of Visual Arts, University of Wisconsin, Milwaukee, Wisconsin
its seethe, the quietest of whispers, Bliss, Pasadena, California
Red Line, Künstlerhaus Bethanien, Berlin, Germany
changing slowly, going uphill, MFA Gallery, Art Center College of Design, Pasadena, California
2004
2003
2002
2001
2000
1999
1998
1997
1996
1995
1994
1993
1992
1991
tender land, organized by Carole Ann Klonarides and the Pasadena Art Alliance, Pasadena, California Topographies, Pasadena Museum of California Art, Pasadena, California
Music Box, White Box Gallery, New York, New York
Fade In: New Film and Video, Contemporary Art Museum, Houston, Texas (catalogue)
Topographies, Walter McBean Gallery, San Francisco Art Institute, San Francisco; traveling to the Pasadena Museum of California Art, Pasadena, California (catalogue)
Sitings: Installation Art 1969 – 2002, Geffen Museum of Contemporary Art, Los Angeles, California
Abstruction, organized by Eungie Joo, Artists Space, New York, New York
Group show, Anna Helwing Gallery, Los Angeles, California
neuro, Williamson Gallery, Art Center College of Design, Pasadena, California, in conjunction with the Cal Tech Neuromorphic Engineering Lab, Pasadena, California (catalogue)
Of Earth and Sky: Elements of Abstraction, San Diego Museum of Art, San Diego, California
Video Topics, Musée d’Art Moderne et Contemporain de Strasbourg, Strasbourg, France
Videodrome II, New Museum, New York, New York
The Morals of Nature: Manifest Destiny and the Contemporary American Landscape, Sun Valley Center for the Arts, Sun Valley, Idaho
Landscaping Ahead, Bard College, Annendale on the Hudson, New York
Rock My World: Recent Art and the Memory of Rock ‘n Roll, CCAC Wattis Institute, San Francisco, California (catalogue)
Group Show, Goldman Tevis, Los Angeles, California
tracking, CCAC, San Francisco, California
Let’s Entertain, Wolfsburg Kunstmuseum, Wolfsburg Germany traveling to Miami Art Museum, Miami, Florida (catalogue)
White Album, curated by Jan Tumlir, Shoshana Wayne Gallery, Santa Monica, California
pretty, please, curated by Ingrid Chu, Blackwood Gallery, University of Toronto at Mississauga, Ontario, Canada
Made in California 1900 – 2000, Los Angeles County Museum of Art, Los Angeles, California (catalogue)
Edge Festival, curated by Jessica Murray, Christenrose Gallery, New York, NY
Speed of Vision, curated by Matthew Yokobosky, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut (catalogue)
L.A. Ex, Villa Stuck, Munich, Germany
(extra) super [meta], Yerba Buena Center for the Arts, San Francisco, California D R I V E, Govett-Brewster Art Gallery, New Plymouth, New Zealand (catalogue)
Shifting Ground: Transformed Views of the American Landscape, Henry Art Gallery, Seattle, Washington (catalogue)
Let’s Entertain, Walker Art Center, Minneapolis, Minnesota traveling to the Portland Art Museum, Portland, Oregon; Centre Georges Pompidou, Paris, France (catalogue)
Commotion in the Ocean, boat of Rosa and Carlos de la Cruz, curated by Amada Cruz, Dara Friedman and Domonic Molon, Miami, Florida (catalogue)
Hotel Utopia, organized by Constanze Ruhm, various locations, Vienna, Austria
The LA Edge Festival, Geffen Contemporary Museum of Art and Park Plaza Hotel, Los Angeles, California
Calendar 2000, Bard College, Annandale on the Hudson, New York (catalogue)
Art/Journalism, organized by Laurence Rickels, Rosamund Felsen, Santa Monica, California
Not There, curated by Robin Wright Moll, Rena Bransten Gallery, San Francisco, California
The Living Theatre, Salzburger Kunstverein, Salzburg, Austria (catalogue)
Sonopticon '99, Performance collaboration with Jan Tumlir, Action Space, Los Angeles, California
Landscape: Outside the Frame, MIT List Visual Arts Center, Cambridge, Massachusetts
The Future that Almost Wasn't, Los Angeles Contemporary Exhibitions and green galactica, Los Angeles, California
Sound Foundations: The Audio Bases of Video Art, Bard College, Annandale on the Hudson, New York
ATTENTIONSPAM ®, organized by Paul Zelavansky, Shoshana Wayne Gallery, Santa Monica, California
group show, Nicole Klagsbrun, New York, New York
Light x Eight: The Hanukkah Project, The Jewish Museum, New York, New York
Zone Franche; Global Tekno, La Grande Halle de la Villette, Paris, France
The Future that Almost Wasn't, San Antonio, Texas traveling to Los Angeles Contemporary Exhibitions, Los Angeles, California in 1999
Dromology: Ecstasies of Speed, New Langton Arts, organized by Marcia Tanner, San Francisco, California
Seamless, Stichting De Appel, Amsterdam, The Netherlands (catalogue)
Wings of Desire, Walter/McBean Gallery, San Francisco Art Institute, San Francisco, California
SPAN: Jessica Bronson, Mariko Mori, Diana Thater; organized by Giovanni Intra, ARTSPACE, Auckland, New Zealand traveling to Govett- Brewster Art Gallery, New Plymouth, New Zealand; The Dunedin Public Art Gallery, Dunedin, New Zealand; and, Centre for Contemporary Photography, Melbourne, Australia (catalogue)
Places that are Elsewhere, David Zwirner Gallery, New York, New York
A Home Show: Sitting Up Erect or Reclining, Nostitzstrasse 14, Berlin, Germany
Sansoucci, handlung and Kunstverein in Hamburg, Germany
CA 90001-90085, W139, Amsterdam, The Netherlands (catalogue)
Invited, Joseph Helman Gallery, New York, New York
Objectif Lune, Centre d'art Neuchatal, Neuchatel, Switzerland
Sunshine and Noir. Art from L.A. 1960 - 1997 (catalogue), Louisiana Museum, Copenhagen, Denmark, traveling to the Kunstmuseum Wolfsburg, Germany, 1997; Castello di Rivoli, Museo d'Arte Contemporanea, Italy, 1998; Armand Hammer Museum of Art at UCLA, Los Angeles, California 1998
Cascade Lounge, The Art Exchange, organized by John Goode, New York, New York
Projection Still, LASCA Gallery, Los Angeles, California Biennial, Orange County Museum of Art, Newport Beach, California (catalogue)
Bastards of Modernity, Angles Gallery, Santa Monica, California.
On-Line-Media, Gent, Belgium STUDIO 246, Marc Foxx Gallery, Santa Monica, California
Los Angeles Visits @ P-House in Tokyo, P House, organized by Dave Muller, Tokyo, Japan Junge Szene '96, Vienna Secession, Vienna, Austria
New York Film and Video Festival, Walter Reade Theatre, Lincoln Center, New York, New York
Mending the Line, Schindler Apartments - MAK Centre Los Angeles, Los Angeles, California
Wunderbar, Kunstverein in Hamburg, Germany
Antelope Road Trip, Spanish Box, Santa Barbara, California
Sampler II, David Zwirner Gallery, New York. Traveled to Rotterdam Film Festival, Rotterdam, The Netherlands
Room 2, Level 4: Lotus Eaters and the Fourth Dimension, Lotus Motel, Inglewood, California
The Ravages of Winter May Well Call for Increased Structure Overhead or Under One Roof, Three Day Weekend, Los Angeles, California
Smells Like Vinyl, organized by Sarah Seager and Thaddeus Strode, Roger Merians Gallery, New York, New York
The Big Night, The Bradbury Building, Los Angeles, California
Recent Work, Alyce B. Williamson Gallery, Art Center College of Design, Pasadena, California
tank . . . between green and violet, Los Angeles Times Media Center, Art Center College of Design, Pasadena, California
Video Lace Annuale, curated by Bill Horrigan, L.A.C.E., Los Angeles, California
FLOW, organized by Sabina Ott, Cerritos College Fine Arts Gallery, Cerritos, California
Against Nature, M.F.A. Gallery, Art Center College of Design, Pasadena, California
She Disappeared First, University Film and Video Association Conference, Montana State University, Bozeman, Montana
Underexposed, curated by Claire Aguilar, Barnsdall Art Park, Los Angeles, California
RE:SOLUTION: Video Annual, curated by Carole Ann Klonarides, Los Angeles Center for Photographic Studies, Los Angeles, California
New Work, Alyce B. Williamson Gallery, Art Center College of Design, Pasadena, California
Los Angeles Art Fair, Art Center College of Design's Space, Los Angeles, California
She Disappeared First, Los Angeles Times Media Center, Art Center College of Design, Pasadena, California
Two Year Anniversary Extravaganza, The Living Room Series, The Real Post Other, Hollywood, California
Video Show, M.F.A. Gallery, Art Center College of Design, Pasadena, California
The Living Room Spring Show, Randy Hostetler's Living Room, Los Angeles, California
2004
2003
2002
2001
2000
1999
1998
1997
1996
Kim, Clara. “Jessica Bronson,” Contemporary, March, 2005, Issue 71, pp. 30 – 33
Lee, Pamela. “Split Decision,” Artforum, November, 2004, p. 47-48.
Knight, Christopher. “A Nice Ambience, Due to the Views,” Los Angeles Times, January 23, 2004, p. E26.
Muchnic, Suzanne. “Avant Science,” Los Angeles Times Calendar, February 16, 2003, E41-49.
Tsai, Eugenie. “Abstruction,” Time Out New York, Issue 419, October 9 – 16, 2003, p. 64.
Willis, Holly. “neuro,” LA Weekly, May 9 – 15, p. 65.
Burke, Gregory (editor). an imaginging landscape, published by Govett Brewster Art Gallery.
Daniel, Jeff. “Currents 86: Jessica Bronson,” St Louis Post-Dispatch, May 12, 2002.
Baker, Kenneth. “Video Artist Suggests a Trip to the Bar: Three Works at New Langton Arts,” SF Gate, October 6, 2001.
--------- “Bronson in Berkeley,” SF Gate, October 6, 2001.
--------- “Impressive Camera Tricks, ‘Tracking’ Reveals Video Art’s Potential,” San Francisco Chronicle, March 31, 2001, E1.
Cutter, Kimberly. “East Side Story,” W, September, 2001, p. 206.
Goddard, Dan. “Familiar and Strange,” San Antonio Express News, January 28, 2001, 7H.
Goddard, Donald. “Art Review,” New York Art World.com, June 23, 2001.
Golonu, Berin. “Tracking,” frieze, September, 2001, p. 107.
Griffin, Tim. “Jessica Bronson; CRG,” Time Out New York, May 31 – June 7, 2001, Issue No. 297, p. 82.
Iannaccone, Carmine. “Jessica Bronson at Luckman Fine Arts Gallery and Goldman Tevis, Art/Text, February -- March 2001, p. 92.
Marie, Annika. “Jessica Bronson at Goldman Tevis,” Art Issues, January/February 2001, p. 45.
Miller, Alicia. “Keeping Track of Video Art, “Afterimage, Volume 29, Number 1, July/August 2001, p. 16.
Mountz, Dehzda. “Jessica Bronson: Fusing Art and Technology, techniquelle.com, May 1, 2001.
Myers, Holly. “Art Reviews,” Los Angeles Times, December 7, 2001, F1.
Rosenberg, Howard. “A New War, but the Same Old Tube,” Los Angeles Times Magazine, October 21, 2001, p.33.
Tumlir, Jan. “White Album,” X-Tra, Volume 4.1, May 2001, p. 20.
Williams, Alena. “Jessica Bronson: Luckman Fine Arts Gallery,” Tema Celeste, March, 2001, p. 97.
Winn, Alice. “See Here,” Pittsburgh City Paper, January 24-January 31, 2001, p. 34.
Bonetti, David. “Pipeline to the Beyond,” San Francisco Examiner, March 9, 2000, B1.
Brennan, Stella. “Pay TV,” Pavement, December/January, 2000-2001, p. 38.
Chris, Cynthia. “Video Art: Stayin’ Alive,” Afterimage, Volume 27, Number 5, March 2000.
Krapp, Peter. “Society of the Skeptical; Sins of Change: Media Arts in Transition, Again,” krapp.org, April, 2000.
Leitch, Christopher. “A Difficult Video Installation that, in the End, Succeeds,” Review, May 2000, p. 23.
Marcs, Greta. “Storm>Front,” Surface, March 2000.
Marcus, Greil. “Real Life Rock Top 10,” salon.com, July 26, 2000.
McAloon, William. “At the Wheel,” Listener, March 25, 200, pp. 36-37.
McGovern, Thomas. “Jessica Bronson at Goldman Tevis,” Artweek, November, 2000, p. 20.
Meyers, Holly. “Review,” Los Angeles Times Calendar, December 29, 2000.
Pagel, David. “’Tilt' Stretches the Bounds of Time,” Los Angeles Times Calendar, October 10, 2000.
Thorson, Alice. “The Forecast Calls for Superb Art,” Kansas City Star, March 5, 2000, p. J1.
Walz, Cara. “Plug In,” PitchWeekly, March 9, 2000, p. 36.
Zellen, Jody. “Jessica Bronson at Luckman Gallery and Goldman Tevis,” artpress, Issue 263, December 2000, pp. 70 71.
Fresh Cream. Phaidon Press Limited, London, Great Britain, 2000, pp. 154 – 159.
Bless, Nancy. “Signs and Wonders,” Sculpture, Volume 18, Number 10, December, 1999, pp. 32 - 39.
Harvey, Doug. “The Good Stuff,” LA Weekly, December 31 – January 6, 2000, Volume 22, No. 6, p. 33.
Heartney, Eleanor. "Jessica Bronson at CRG," Art in America, March 1999, p. 112.
Intra, Giovanni. “The Mobile,” Tema Celeste, February 1999, pp 51 – 55.
Ise, Claudine. "Cutting to (and Cutting Up) the Chase in 'world picture,'" Los Angeles Times, January 8, 1999, F36.
Johnson, Ken. “Turning a Museum Into a Vast Menorah,” The New York Times, January 1, 1999.
Joyce, Julie. “Static Supreme,” Art/Text, May – June 1999, pp. 43 – 45.
Knight, Christopher. “Review,” Los Angeles Times, August 20, 1999, F26.
Rickels, Laurence A. “Art/Journalism,” X-TRA, Volume 2, Number 4, Summer 1999, pp 11 – 18.
Hull Webster, Mary. "Review," Artweek, April 1998, pp. 19-20.
"MOCA's Next Emerging Artist," Los Angeles Times, July 31, 1998, Section F.
Calame, Ingrid. "Review," Flash Art, March/April 1997, pp. 120-121.
Cheever, Nancy. "OCMA 'Biennial' Showcases Emerging Los Angeles Artists," 72 Hours, April 28, 1997, p. 3.
Curtis, Cathy. "Inextricable References," The Los Angeles Times (Orange County Edition), May 6, 1997, F6.
DiMichele, David. "Bastards of Modernity at Angles Gallery," Artweek, April 1997, pp. 22-23.
Guenther, Bruce. Biennial, Orange County Museum of Art, Newport Beach, California, 1997. (catalogue)
Hainley, Bruce. "Bastards of Modernity," Artforum, March 1997, pp. 98-99.
Kandel, Susan. "Art Reviews," Los Angeles Times, February 7, 1997, pp. F16, F30.
Knaff, Devorah. "Biennial Takes Stock of an Era," The Orange County Register, April 18, 1997, p. 26.
Martin, Timothy. "L.A.: Particles and Waves," X.TRA, Volume 1/Number 3, Fall 1997. Sunshine & Noir: Art in L.A. 1960 - 1997, Louisiana Museum of Modern Art, Copenhagen, Denmark (catalogue). Studio 246 (Catalogue).
Spaid, Sue. "Foreign Policy: L.A. in Amsterdam," L.A. Weekly, Volume 20, No. 3, December 12-18, 1997.
Walsh, Daniella B. "Where All Things Old are New Again," The Orange County Register, May 11, 1997, p. 42.
Poerschke, Raif. "kabinett des schonen scheins," Hamburger Rundschau, June 6, 1996, No. 24, pp. 50-51.
Seyfarth, Ludwig. "Mein wunderbarer Malsalon," Szene Hamburg, June 1996, pp. 88- 89.
Smith, Roberta. "Sampler 2, Single-Channel Video from Southern California," The New York Times, January 26, 1996.
"Kåse statt Askese," Der Spiegel, May 27, 1996, Volume 22/1996, p. 217.
"Highlights," Berlin Szene, February 27, 1996.
Lectures
2004
2003
2002
2001
2000
1999
1998
1997
Guest Lecturer, Pasadena Art Alliance, Pasadena.
Panelist, Topographies, Pasadena Museum of Contemporary Art, Pasadena.
Guest Lecturer, University of Southern California, Art School.
Guest Lecturer, San Francisco Art Institute, Art School.
Guest Lecturer, Contemporary Art Museum, Houston.
Guest Lecturer, Beckman Auditorium, California Institute of Technology.
Guest Lecturer, Orange County Museum of Art.
Guest Lecturer, Saint Louis Art Museum
Guest Lecturer, Washington University at St Louis.
Guest Lecturer, California Institute of the Arts, Valencia.
Guest Lecturer, University of California, Riverside.
Guest Lecturer, Art Space, Auckland, New Zealand.
Guest Lecturer, Govett-Brewster Art Gallery, New Plymouth, New Zealand.
Panelist, Let’s Entertain, Portland Art Museum, Portland, Oregon.
Participant, Art Entertainment Network, Online Discussion sponsored by the Walker Art Center and Minneapolis College of Art and Design.
Panelist, Sins of Change: Media Arts in Transition, Walker Art Center, Minneapolis.
Guest Lecturer, University of California, Santa Barbara.
Guest Lecturer, Getty Center for Art. Visiting Artist Workshop, Kemper Museum of Contemporary Art, Kansas City, Missouri.
Panelist, Artists' Space at Museum of Contemporary Art, Los Angeles
Guest Presenter, Andy Warhol's "Outer and Inner Space," Museum of Contemporary Art, Los Angeles.
Guest Lecturer, Museum of Contemporary Art, Los Angeles.
Guest Lecturer, Otis College of Art, Los Angeles.
Guest Lecturer, Orange County Museum of Art, Newport Beach, California.
Guest Lecturer, University of California Los Angeles.
Panelist, Armory Center for the Arts, Pasadena.
Visiting Artist Workshop, Hamburg Kunstverein, Hamburg, Germany.
Guest Lecturer, University of California Los Angeles.
Guest Panelist, LACE, Los Angeles.
Guest Lecturer, University of California Riverside.
Guest Lecturer, Hamburg Kunstverein, Hamburg, Germany. Guest Lecturer, Künstlerhaus Bethanien, Berlin, Germany.
Curated Exhibitions
2000
1998
1996
all things, everything true, CRG Gallery, New York.
caption, Three Day Weekend, Los Angeles.
100 Years of the Moving Image through Art, Los Angeles Contemporary Exhibitions, Los Angeles.
Fellowsips and Awards
2001
2000
1999
1998
1997
Freund Fellowship, St Louis Art Museum and Washington University, St Louis, Missouri.
Govett-Brewster Artist in Residence, New Plymouth, New Zealand.
Louis Comfort Tiffany Award.
Citibank Private Bank/MOCA Emerging Artist Award, Los Angeles, California
Art Matters Fellowship.
Teaching
2001-2
2000
1998-01
1997-8
1997-present
1996-8
1995-8
Freund Fellow Visiting Artist, Graduate Department, Washington University, St Louis, Missouri.
Visiting Artist Lecturer, Taranaki Polytechnic, New Plymouth, New Zealand.
Full Time Faculty, Foundation Department Art Center College of Design, Pasadena, California.
Video Art Praxis Instructor, Graduate and Undergraduate Fine Art Department,Otis College of Art and Design, Los Angeles, California.
Fine Art Film and Video Instructor and Independent Advisor, Fine Art Department, Art Center College of Design.
Experimental Film and Video Instructor and Independent Advisor, Undergraduate Fine Art Department Art Center College of Design.
Fine Art Film and Video Instructor and Independent Advisor, Graduate Studies, Art Center College of Design.